musicology ars nova list
Below is a list of contents of all available articles from our departmental journal. If you are interested in any article, most university libraries in South Africa have copies, plus a few overseas libraries. The numbers in the right column of the tables are the page numbers on which the article begins. To order a particular number, Mrs Louwrens, Departmental Secretary +27 12 429 6459 or to consult which number are available Ars Nova journals still available.
ARS NOVA
| Vol 4:1 Inhoudsopgawe/Contents |
| |
Departmental news |
1 |
| M Alexander |
Music at Cambridge |
3 |
| BS van der Linde |
In memoriam Friedrich Helmut Hartmann |
12 |
| E Oehrle |
Palestrina assignment |
16 |
| G King |
Vaughan Williams: nationalism and folk song |
21 |
| FJ (Derik) van der Merwe |
Contact with Joyce Barker |
35 |
| |
New additions to the Library since February, 1971 |
46 |
| Vol 4:2 (November 1972) Inhoudsopgawe/Contents |
| |
Departementele nuus |
1 |
| G King |
Heinrich Schütz - a celebrity of his time |
2 |
| |
Bekendstelling van die Honneurs Baccalaureus-graad (Hons BMus) |
17 |
| |
Crossword |
22 |
| G King |
Thematic transformations in Giovanni Gabrieli's motet 'In ecclesiis' |
24 |
| Albert Troskie |
Roger Ascham (1864-1934) - virtuoos, pedagoog en komponis |
38 |
| |
New library acquisitions since February, 1972 |
51 |
| |
Kurzgeschichte |
66 |
| Vol 5:1 (Junie/June 1973) Inhoudsopgawe/Contents |
| |
Editorial |
1 |
| |
Departementele Nuus |
4 |
| Bernard S van der Linde |
The concise encyclopedia of music and musicians, edited by Martin Cooper |
6 |
| Albert Troskie |
Harmonie en Kontrapunt - 'n benadering volgens styltydperke en die resultaat daarvan |
11 |
| Socrates Paxinos |
Dawid Engela and his songs |
21 |
| Mary Rörich |
The work of Hugh Tracey |
30 |
| |
Four sketches for Miss RE Pienaar's doctoral thesis |
42 |
| |
New library acquisitions since October, 1972 |
|
| |
Books |
46 |
| |
Reference works |
49 |
| |
Scores |
50 |
| |
Recordings |
53 |
| Vol 5:2 (September 1973) Inhoudsopgawe/Contents |
| |
Editorial |
1 |
| B Spies |
Teenstrydighede in die literatuur ten opsigte van kombinasietone |
4 |
| W Steffanides |
Das Kaplied 'Auf, auf, Ihr Brüder ...' |
11 |
| A Troskie |
Madrigalisme in die vokale musiek van JP Sweelinck (1562-1621) |
21 |
| R Pienaar |
Hugo Wolf (1860-1903), sy rare persoonlikheid en unieke nalatenskap |
35 |
| J Malan |
Three thousand five hundred violins |
48 |
| E Roux |
Boekbespreking |
55 |
| |
Library acquisitions since February 1973 |
|
| |
(a) Books |
57 |
| |
(b) Scores |
62 |
| |
(c) Records |
63 |
| Vol 6:1 (May/Mei 1974) Inhoudsopgawe/Contents |
| |
Editorial |
1 |
| H Martens |
Hutterite songs: aural transmission from the sixteenth century |
5 |
| S Paxinos |
Hubert du Plessis' Elegie Op. 1 No 3 - a discussion |
16 |
| BS van der Linde |
Book review |
29 |
| |
Library acquisitions since August 1973 |
|
| |
(a) Books |
34 |
| |
(b) Scores |
37 |
| |
(c) Reference works |
38 |
| |
(d) Records |
38 |
| Vol 6:2 (August/Augustus 1974) Inhoudsopgawe/Contents |
| |
Editorial |
1 |
| |
Select bibliography for harmony and counterpoint |
|
| |
(a) Books |
3 |
| |
(b) Articles |
19 |
| Bertha Spies |
Kan harmonie-onderrig meer wees as blote tradisie? |
32 |
| Stefans Grové |
Die noodsaaklikheid van funksionele teoriestudie |
40 |
| June Schneider |
Stravinsky and Picasso - a parallel and a parable |
60 |
| Julia van Leeuwen |
Boekbespreking |
66 |
| |
Library acquisitions since February 1974 |
|
| |
(a) Books |
68 |
| |
(b) Scores |
71 |
| |
(c) Records |
72 |
| Vol 7:1 (Junie/June 1975) Inhoudsopgawe/Contents |
| |
Editorial |
1 |
| |
Departmental news |
3 |
| Henk Temmingh |
'n Kritiese beskouing van die vak 'Harmonie' aan Suid-Afrikaanse universiteite |
5 |
| Margaret C Nabarro |
Darius Milhaud 1892-1974 - an appreciation |
15 |
| Paul Loeb van Zuilenburg |
Aural training and its relation to the teaching of Harmony and counterpoint |
19 |
| Peter Creswell |
Robbie's gone - an original music drama |
29 |
| |
Library acquisitions since April 1974 |
|
| |
(a) Books |
37 |
| |
(b) Scores |
45 |
| |
(c) Reference works |
48 |
| |
(d) Records |
49 |
| Vol 7:2 (1975) Inhoudsopgawe/Contents |
| |
Editorial |
1 |
| |
Departmental news |
4 |
| NW Nowotny |
First steps in modern harmony: composition with pre-established chord rows |
5 |
| CG Henning |
The National Documentation Centre for Music |
11 |
| M Rörich |
An assignment for History of Music IV |
18 |
| M Rörich |
Book discussion |
33 |
| FJ van der Merwe |
Howlers from History of Music I |
42 |
| |
Library acquisitions since February 1975 |
44 |
| |
(a) Books |
44 |
| |
(b) Reference works |
46 |
| |
(c) Dissertations |
47 |
| |
(d) Scores |
47 |
| |
(e) Records |
48 |
| |
(f) Cassettes (continued) |
56 |
| Vol 8:1&2 (1976) Inhoudsopgawe/Contents |
| |
Editorial |
1 |
| KF Heimes |
Music history in a situation of compromise |
3 |
| G Olivier |
'n Huldeblyk aan Philip Mclachlan |
12 |
| AW Wegelin |
Toonlere en harmonie |
15 |
| |
Library acquisitions since February 1976 |
28 |
| |
(a) Books |
28 |
| |
(b) Reference works |
34 |
| |
(c) Dissertations |
37 |
| |
(d) Scores |
38 |
| |
(e) Records |
43 |
| |
(f) Cassettes |
45 |
| Vol 9 (1977) Inhoudsopgawe/Contents |
| |
Editorial |
1 |
| Prof BS van der Linde |
Three recent theses supervised |
3 |
| JD Drury |
Choosing a textbook |
9 |
| BS van der Linde |
In defence of F H Hartmann's fully chromaticised scales |
16 |
| CG Henning |
Research on South African music history |
25 |
| DG Geldenhuys |
Blokfluitspel in Suid-Afrika |
38 |
| N Parnell |
Sir Charles and Lady Hallé in South Africa |
43 |
| |
Aanwinste in die Sanlam Biblioteek tot April 1977 |
58 |
| |
(a) Boeke |
|
| |
(b) Naslaanwerke |
|
| |
(c) Verhandelinge |
70 |
| |
(d) Partiture |
70 |
| |
(e) Plate |
95 |
| |
(f) Musiekkassette |
98 |
| Vol 10 (1978) Inhoudsopgawe/Contents |
| |
Editorial |
(iv) |
| |
Departementele nuus |
(v) |
| Prof BS van der Linde |
Three recent theses reviewed |
1 |
| BS van der Linde |
Piston and Ratner: an important orthographical axiom overlooked |
7 |
| A Troskie |
Holland - 1977: enkele reisindrukke |
10 |
| M Becker |
Analytical figuring in harmony: in search of a system |
13 |
| DJ Reid |
Mozart's Eine kleine Nachtmusik: a question of form |
23 |
| J Smit |
Leimotiefaanwending in Elgar se oratorium The dream of Gerontius (1900) |
28 |
| |
Aanwinste in die Sanlam Biblioteek tot April 1978 |
35 |
| |
(a) Boeke |
35 |
| |
(b) Naslaanwerke |
40 |
| |
(c) Partiture |
41 |
| |
(d) Plate |
49 |
| |
(e) Musiekkassette |
66 |
| Vol 11 (1979) Inhoudsopgawe/Contents |
| |
Van die redaksie |
|
| |
Personalia |
1 |
| BM Spies |
Analise in die harmonieklas - 'n stapsgewyse inleiding vir die beginner |
8 |
| M Becker |
The relevance of harmonic analysis in Late-Romantic music |
14 |
| W Viljoen |
French ornamentation in organ and harpsichord music of the Baroque |
34 |
| GC Olivier |
The London Opera Centre: 1976-1977 |
48 |
| RB Walton |
A forgotten opera by Carlo Pallavicino (c 1630-1688) |
52 |
| MD Nabarro |
Musicology in Israel |
58 |
| AJJ Troskie |
Nagraadse musiekstudie in Suid-Afrika |
66 |
| Vol 12 (1980) Inhoudsopgawe/Contents |
| |
Van die redaksie - Editorial comment |
(vi) |
| |
Personalia |
1 |
| J Malan |
Besinning oor die SAME in die Suid-Afrikaanse musieklewe |
5 |
| H Temmingh |
"Die harmoniese ontledingsisteem van Friedrich H Hartmann": Referaat gehou by die 5de Musiekwetenskaplike Kongres, Stellenbosch, 25 Augustus 1978 |
11 |
| BS van der Linde |
"Concerning F H Hartmann's Harmonielehre: a reply to Professor Temmingh's criticism": Paper delivered at the 6th Musicological Congress, Potchefstroom, 25 August 1979 |
20 |
| H Temmingh |
Enkele beskouinge oor tonaliteit na aanleiding van Schönberg se Opus 11, nr. 1: Referaat gehou by 'n vergadering van die S.A. Musiekwetenskaplike Vereniging, Johannesburg, 3 Mei 1980 |
27 |
| DG Geldenhuys |
Teksbehandeling by die vokale werke van John Joubert (1927- ) |
43 |
| Vol 13 (1981) Inhoudsopgawe/Contents |
| |
Editorial comment/Van die redaksie |
2 |
| |
Personalia |
5 |
| Mary Rörich |
The composer today |
9 |
| Jolena Geldenhuys |
Simboliese intervalgebruik in Arnold van Wyk se Missa in illo tempore |
17 |
| Jaap Godschalk |
Oorsig van die Suid-Afrikaanse solo-orrelmusiek tot medio 1980 |
30 |
| Margaret D Nabarro |
Music and musicology in France |
40 |
| Derik van der Merwe |
Book reviews/Boekresensies |
45 |
| |
Books received/Boeke ontvang |
54 |
| Vol 14 (1982) Inhoudsopgawe/Contents |
| |
Editorial comment/Van die redaksie |
2 |
| |
Graduandi 1981 |
3 |
| Alan Clarke |
An introduction to the art of music copying |
4 |
| David A Blazey |
Module transfer in the Gradualia of William Byrd |
11 |
| |
The composer introduces/Die komponis stel voor |
25 |
| |
Christopher James: Four compositions |
25 |
| |
Douglas Reid: My music |
33 |
| |
Nagraadse navorsing/Postgraduate research |
41 |
| |
Verslae/Reports |
54 |
| Rudolf van den Berg |
Boekresensies/Book reviews |
68 |
| |
Boeke ontvang/Books received |
79 |
| Vol 15 (1983) Inhoudsopgawe/Contents |
| |
Editorial comment/Van die redaksie |
2 |
| |
Graduandi 1983 |
3 |
| Jonathan Drury |
Shostakovich's three styles: One solution to a 20th century composer's place in society |
5 |
| Rudolf van den Berg |
Interpretasies van die slotkadens in Franz Liszt se Sonate in B mineur |
13 |
| Louise van den Berg |
Die beoefening van Musiekvormleer as akademiese dissipline |
24 |
| Niël Geldenhuys |
Verrykende benaderings tot regie in sommige Duitse musiekteaters |
32 |
| |
Nagraadse navorsing/ Postgraduate research |
35 |
| Rudolf van den Berg |
Boekresensies/Book reviews |
47 |
| |
Boeke ontvang/Books received |
57 |
| Vol 16 (1984) Inhoudsopgawe/Contents |
| |
Editorial comment/Van die redaksie |
2 |
| |
Graduandi 1984 |
4 |
| Bernard van der Linde |
Concerning the Phrygian cadence. Part one: Before 1500 |
5 |
| René Mathlener |
Die Omnibus-figuur -- 'n Chromaties-lineęre progressie |
25 |
| Mario Koppers |
Manuel de Falla: Siete canciones populares Espaolas (1914) |
32 |
| Bernard van der Linde |
The Significance of the Phrygian progression in Franz Liszt's Piano sonata in B minor |
50 |
| |
Nagraadse navorsing/Postgraduate research |
60 |
| Rudolf van den Berg |
Boekresensies/Book reviews |
97 |
| Vol 17 (1985) Inhoudsopgawe/Contents |
| |
Editorial comment/Van die redaksie |
2 |
| |
Graduandi 1985 |
4 |
| Bernard van der Linde |
Concerning the Phrygian cadence. Part two: the 16th century |
5 |
| Frikkie Strydom |
Bevrugting van die Bastervolkslied deur die Suid-Afrikaanse volkslied |
22 |
| Jon Drury |
Coloured South African folk songs? |
39 |
| Christoph Stroux |
Saint Cecilia's books at the Cape of Good Hope: a preliminary report |
51 |
| Marietjie Steyn |
Lutoslawski's third symphony: a preliminary assessment |
65 |
| Annette Bruwer |
'n Stylstudie van Rosa Nepgen se Boerneef-toonsettings |
70 |
| Vol 18 (1986) Inhoudsopgawe/Contents |
| |
Editorial comment/Van die redaksie |
2 |
| |
Graduates/Gegradueerdes 1986 |
4 |
| Bernard van der Linde |
Towards a definition of the link-note modulation |
5 |
| Niël Geldenhuys |
'n Profielstudie van die agtergrond, voorkeure en behoeftes van voorgraadse studente in die Musiekwetenskap aan Unisa |
26 |
| Douglas Reid |
Recollections in tranquillity |
34 |
| Leah Lesinik |
An Analytical study of 4 "Minim" for cello and piano by Jeanne Zaidel-Rudolph |
53 |
| |
Boekresensies/Book reviews |
76 |
| Vol 19 (1987) Inhoudsopgawe/Contents |
| |
Editorial comment/Van die redaksie |
2 |
| |
Graduates/Gegradueerdes 1987 |
5 |
| Annette Cloete |
Die invloed van die "Kneg" op die musiek van die Le Fleur-Griekwas van Krantzhoek |
6 |
| Leah Lesinik |
Commentary on Bernard van der Linde's definition of the link-note modulation |
30 |
| Rudolf van den Berg |
Franz Liszt en die mediante: in die negentiende eeu. Deel een |
47 |
| |
Boekresensies/Book reviews |
67 |
| Vol 20 (1988) Inhoudsopgawe/Contents |
| |
Editorial comment/Van die redaksie |
2 |
| |
Graduates/Gegradueerdes 1988 |
5 |
| Daniël Geldenhuys |
Paul Hindemith (1895-1963). Résumé, 25 years after his death |
6 |
| Jolena Geldenhuys |
The late sonata works by Paul Hindemith (1895-1963): Chronological perspective on the 26 sonatas written between 1935 and 1955 |
12 |
| Rudolf van den Berg |
Franz Liszt en die mediante: die evolusie van tonale sintaksis in die negentiende eeu: deel twee |
25 |
| Derik van der Merwe |
Unisa neem nuwe biblioteek in gebruik |
41 |
| Marthinus Ryan |
Die bydrae van Hendrik Visscher (1865-1928) as vroeë komponis van Suid-Afrika |
55 |
| |
Boekresensie/Book review |
69 |
| Vol 21 (1989) Inhoudsopgawe/Contents |
| |
Editorial comment/Van die redaksie |
2 |
| |
Graduates/Gegradueerdes 1989 |
4 |
| Dorothea Holm |
Ritmepatrone as boustene in gekose strykkwartette deur W A Mozart |
5 |
| Mario Koppers |
Music theory and chromatic notation |
28 |
| Jonathan Drury |
Black popular music project |
46 |
| Douglas Reid |
Kenneth Leighton (1929-1988): the man and his music |
53 |
| Marietjie Steyn |
Witold Lutosawski's technique of 'limited aleatorism' |
70 |
| Oehrle-Stroux |
Replies to review of A new direction for South African music education (vol. 20) |
93 |
| |
Boekresensies/Book reviews |
93 |
| Vol 22 (1990) Inhoudsopgawe/Contents |
| |
Editorial comment/Van die redaksie |
2 |
| |
Graduates/Gegradueerdes 1990 |
5 |
| Douglas Reid |
Gideon Daniel Roos - Unisa's distinguished graduate |
6 |
| Jolena Geldenhuys |
Ars Nova in historiese perspektief. Deel 1: 1969-1980 |
12 |
| Carol Steyn |
Aspects of the performance practice of the mediaeval Sequence with reference to a thirteenth-century Sequentiary in the South African Library, Cape Town |
24 |
| Beppie Beernaert |
Die sewe invensies van Cromwell Everson |
43 |
| George King |
A living tradition: Michael Tippett reaches 85 years |
64 |
| Sylvia Reid |
The canticle settings of Sir Lennox Berkeley |
74 |
| Vol 23 (1991) Inhoudsopgawe/Contents |
| Bernard van der Linde |
Editorial comment |
2 |
| |
Gegradueerdes/Graduates 1990/91 |
4 |
| Eduardo Correia |
The early piano concertos of Mozart: an analytical perspective |
6 |
| Douglas Reid |
Mozart on stamps |
26 |
| Jolena Geldenhuys |
Ars Nova in historiese perspektief. Deel 2: 1981-1990 |
38 |
| René Mathlener |
Ongewone harmoniese effekte: die chromaties-tertsverwante akkoordopvolging in Franz Schubert se klavierwerke. Deel 1: nie modulerende gebruik |
51 |
| Jacoba van Coller |
Lourens Faul - veelsydige musikus |
69 |
| Carol Steyn |
Book review: Jeremy Yudkin, Music in medieval Europe |
79 |
| Vol 24 (1992) Inhoudsopgawe/Contents |
| Bernard van der Linde |
Editorial comment |
2 |
| |
Gegradueerdes/Graduates 1991/92 |
5 |
| Jolena Geldenhuys |
International Musicological Congress in Madrid, 3-10 April 1992 |
6 |
| Douglas Reid |
In conversation with S J Khosa - composer and music educator |
10 |
| René Mathlener |
Ongewone harmoniese effekte: die chromaties-tertsverwante akkoord-opvolging in Franz Schubert se klavierwerke. Deel 2: modulerende gebruik, 'sirkels' |
29 |
| Martin Ryan |
Madame Ethel le Marchant (1866-1964) - 'n legende in haar leeftyd ... |
50 |
| Elma Kriek |
Die simfonie in Suid-Afrika tot en met 1989: 'n oorsig |
60 |
| Vol 25 (1993) Inhoudsopgawe/Contents |
| Bernard van der Linde |
Editorial comment |
2 |
| |
Graduates/Gegradueerdes 1992/93 |
4 |
| Annalien du Plessis |
Die herontdekking van Bach sedert 1950 |
5 |
| John Roos |
Jacobus Jan van de Geest, vioolbouer (1899-1974) |
26 |
| Antony Melck |
Culture and universities: Eurocentric or Afrocentric at Unisa? |
44 |
| William Rowland |
'n Reiservaring: Gregoriaanse Cantus, die musiek van gebed |
47 |
| Bernard van der Linde |
Book review, with special reference to the problem of the preservation of historically valuable organs in South Africa: Albert Troskie Pyporrels in Suid-Afrika |
55 |
| Bernard van der Linde |
The first organ initiative at Unisa |
66 |
| Eddie Davey |
Die eerste Unisa Orrelakademie 1993 |
74 |
| Vol 26 (1994) Inhoudsopgawe/Contents |
| Bernard van der Linde |
Editorial comment |
2 |
| |
Gegradueerdes/Graduates 1993/94 |
4 |
| Deidre Larkin |
The symphonic poem and tone poem in South Africa |
5 |
| Nicol Viljoen |
Harmonic classification, analysis and interpretation in jazz |
43 |
| Anthony Tambourlas |
Art Tatum (1910-1956) and the jazz piano: a stylistic appraisal |
61 |
| Sylvia Reid |
Music as a subject at secondary school: a non-elitist approach |
80 |
| Daniël Geldenhuys |
In search of the Stravinsky house |
97 |
| Bernard van der Linde |
The second (successful) organ initiative at Unisa (October 1988 to September 1994) |
103 |
| Vol 27 (1995) Inhoudsopgawe/Contents |
| Bernard van der Linde |
Editorial comment |
3 |
| |
Gegradueerdes/Graduates 1994/95 |
5 |
| Elizabeth Krynauw |
Suid-Afrikaanse kamermusiek: 'n historiese oorsig |
8 |
| Eduardo Correia |
Contrapuntal processes in Brahms' First Piano Concerto |
52 |
| Niël Geldenhuys |
'Hindemith, her damit, oder weg damit, nach 1945/95?' or Relevance of Hindemith after 1945/95? |
77 |
| Douglas Reid |
'Music in South Africa; Unisa as microcosm' - Address for Unesco-supported conference at Niamey, Niger, in December 1994 |
88 |
| Stanley Ridge |
'The future of music in a new South Africa' - Opening address for CHUM meeting at the University of the Western Cape, 16 June 1994 |
107 |
| Douglas Reid |
'Joint responsibility for South Africa's human cultivars' - Chancellor's lecture for the Unisa graduation ceremony held at Pretoria on 13 April 1995 |
113 |
| Robert Harris |
'Oh, how can we keep from singing?' The art and joy of choral performance - Address for the Annual Conference, Department of Education and Training at Vereeniging, 11 March 1995 |
118 |
| Douglas Reid |
Interview with Professor Robert Harris, distinguished visitor to Unisa's Department of Musicology in 1995 |
130 |
| Niel van der Watt |
A visit to Church Farm, Ashmansworth, enduring home of Gerald Finzi on 15 July 1994 |
144 |
| Vol 28 (1996) Inhoudsopgawe/Contents |
| Editor/Redakteur |
Graduates/Gegradueerdes 1995/96 |
3 |
| |
Redaksionele kommentaar/Editorial comment |
4 |
| Douglas J Reid |
The Jim Joel Music Scholarship and Unisa students |
6 |
| Editor |
Chatradari Devroop joins Unisa |
7 |
| Rudolf Van Den Berg |
Bernard van der Linde: 30 jaar
Biografiese grepe in woord en beeld |
9 |
| Jolena Geldenhuys |
Bernard van der Linde's writings in Ars Nova: an overview |
20 |
| Daniël Geldenhuys |
A harpsichord for Unisa |
23 |
| Mikki Steyn |
Flute vibrato |
25 |
| Wilhelm Jordaan |
Transformation of the arts and music at Unisa: an introductory address |
42 |
| Chatradari Devroop |
The editing and publishing of music |
44 |
| Carol Steyn |
MS Cape Town Grey 4C7: one of the first Antiphonaries written for the Charterhouse of Champmol, mausoleum of the Dukes of Burgundy |
48 |
| Jolena Geldenhuys |
Francis Poulenc (1899-1963): die ontstaan van die Dialogues des Carmélites weerspieël in briefwisseling |
61 |
| Mario Koppers |
Information theory: a measure of the popularity of music |
66 |
| Carol Steyn |
'n Vriendskap met die Kartuisers |
79 |
| |
Konferensies/Conferences |
|
| George King |
The Newcastle University International Tippett Conference |
84 |
| Daniël G Geldenhuys |
Die internasionale konferensie: 'Austria 996-1996: Music in a Changing Society' |
86 |
| Vol 29 (1997) Inhoudsopgawe/Contents |
| Editor/Redakteur |
Graduates/Gegradueerdes 1996/97 |
3 |
| |
Redaksionele kommentaar/Editorial comment |
4 |
| Jordi Rifé I Santalo |
The evolution of the aria in eighteenth-century Catalan religious music: the arias of the villancicos by Emmanuel Gňnima (1712-1792) |
5 |
| Jolena Geldenhuys |
A colloquium on art and music in African culture. Cameroon 1996 |
11 |
| Liesel Catterall |
Die Soweto string quartet: tradisionele en moderne etniese elemente in Zebra crossing |
13 |
| Stuart du Preez |
Elements of tradition in Wolfgang Rihm's Jakob Lenz |
23 |
| Niël Geldenhuys |
Unisa's harpsichord: initiative, acquisition and inauguration |
55 |
| Eddie Davey |
Die Unisa orrelakademie vyf jaar oud: 'n oorsig |
68 |
| Editor/Redakteur |
Master's and doctoral dissertations completed at Unisa's Department of Musicology, 1996: Abstracts/Magister en doktorale verhandelings voltooi by Unisa se Departement Musiekwetenskap, 1996: Opsommings |
72 |
| Niël Geldenhuys |
Consortium Novum: twintig jaar |
74 |
| Jolena Geldenhuys |
Musiekwetenskapkongresse in Duitsland, 1996 en 1997 |
76 |
| Vol 30 (1998) Inhoudsopgawe/Contents |
| Editor/Redakteur |
Editorial comment/Redaksionele kommentaar |
3 |
| Derik van der Merwe |
Rudolf Johannes van den Berg: 'n huldeblyk |
5 |
| Editorial/Redaksioneel |
Graduates/Gegradueerdes 1997/98 |
6 |
| Carol Steyn |
A database and a catalogue of the Grey Collection |
7 |
| Christopher James |
John Cage's philosophies in brief and a study of time proportions in Amores |
9 |
| Brett Pyper |
Simunye: Are we one? The collaboration between I Fagiolini and the SDASA Chorale |
20 |
| Robert Anderson |
Organ design for the twenty-first century |
42 |
| Eddie Davey |
The First Unisa International Organ Competition: a survey and critical review |
49 |
| |
Forty years of musicological research at Unisa: master's degrees and doctorates from 1957 to 1997 |
66 |
| George King |
Unisa student wins 1998 Jim Joel Music Scholarship |
68 |
| Music reviews: |
|
|
| Douglas Reid |
African songbook for mixed choir |
70 |
| George King |
South Africa sings: the launch of the SAMRO African Choral Repertoire Collection |
72 |
| CD reviews: |
|
|
| Socrates Paxinos |
Südafrikanische Orgelmusik: A celebration of the Rieger Organ of the University of South Africa in Pretoria |
77 |
| Vol 31 1999 & Vol 32 2000 |
| Editor / Redakteur |
Editorial comment/Redaksionele kommentaar |
3 |
| Editorial / Redaksioneel |
Graduates / Gegradueerdes 1998/99 Graduates / Gegradueerdes 1999/2000 |
5 6 |
| Anita McCreath |
A tribute to Pushkin |
7 |
| Irina Garmashova-Du Plessis |
Pushkin in music: a view from Russia |
9 |
| Ryan Daniel |
The beginning of the Piano and Cello Sonata: Beethoven's Opus 5 |
25 |
| George King |
Towards a New Musicology for a New Millennium |
47 |
| Editorial / Redaksioneel |
Index to Ars Nova: 1971-1998 |
52 |
| Obituary |
Gideon Daniel Roos: 28.9.1909-9.3.1999 |
56 |
| Douglas Reid |
The Old Mutual / Telkom national choir festival: a 1999 choral perspective |
58 |
| André de Wilzem |
Is 'historical' performance today really historical? |
69 |
| Marianne Feenstra |
The sound of silence |
75 |
| Editorial / Redaksioneel |
Notes to contributors |
79 |
|